An oak stair intervention read through tread mass, landing turns, railing line, and the way timber settles into a room.
The project is presented here not as construction record but as spatial work: oak, black metal, thickness, and repetition edited into one calm architectural reading.
This project belongs in the same practice as the objects because it depends on the same standards: proportion, edge, surface, and the ability of wood to structure a visual field quietly.
Instead of reading as documentation, the staircase is treated here as a material composition with enough order to feel architectural and enough weight to stay physically present.
The main view is where the project first resolves: tread thickness, oak mass, railing line, and the balance between structural necessity and spatial calm.
What matters is not only function, but how the material sits in the room with enough precision to feel composed rather than merely built.
From above, the staircase becomes more graphic. Landing turns, tread alignment, and the meeting of oak with black metal read less as detail and more as one continuous spatial decision.
